Via Luna, the most mind boggling display of dancing\acrobatics that I have ever seen. Had to pick up my jaw a couple of times. No one today has anything on these babes.
Via Luna, the most mind boggling display of dancing\acrobatics that I have ever seen. Had to pick up my jaw a couple of times. No one today has anything on these babes.

During WWII, Southern California was a hotbed of aviation industry. To help camouflage these strategic factories, Hollywood did what they do best. Above is the Lockheed plant before getting the star treatment, and below, after. Click to the next page for more amazing work by our tinsel town forefathers…


Novelist Ayn Rand, overlooking RKO studios , and what would later become part of Paramount Pictures. Image circa 1938.
One of my favorite movies is “The Fountainhead” with Gary Cooper, from Rand’s book of the same name. Cooper plays Howard Rourke, an architect who will not compromise his work. It was directed by the great King Vidor, with a script by Rand. Anyone who loves design will find this movie fascinating. On the next page are two knockout scene samples. Incidentally, this film features matte paintings by famed space artist Chesley Bonnestell, and a score by the incomparable Max Steiner.
I’m sure you’ve heard us talking about “Center Seat”, or seen some of the “Eye Candy” posts attributed to it here on the blog. “Center Seat” is a New Voyages short that we did for the sheer fun of it. I think it’s really cute, engaging, exciting, has great characters, and is authentic old school Star Trek. The one thing I really wanted, and never got! A sleekened retro Star Trek for mainstream would be fun and artistically gorgeous. My hopes are still high that we will get that chance.
Later I’ll tell the story of how I thought I was going to be fired by Paramount for my involvement with NV. Turns out the studio does have a heart, and I left a meeting with Paramount lawyers and “Enterprise” producers with a handshake instead of a pink slip…

Look! That’s me on the right in my bedroom at age 14! TOS is still on the air fresh baked! Look at my room! That’s everything available in 1968! That crazy guy is my buddy Mitch Green. He’s holding a Pan Am Clipper from 2001, and he is still crazy! Looking at this picture it’s pretty clear nothing has changed! Go here -

I don’t even need to ask Rick Sternbach, Andy probert or Mike Okuda if they were influenced by preeminent space artist Fred Freeman. There is no doubt.
A native of West Newton, Mass., Mr. Freeman was a successful commercial artist in New York City from the late 1920’s through the 50’s, doing many illustrations and magazine covers for publications including The Saturday Evening Post and Collier’s. These articles were highly influential in convincing the American public that a trip to the moon was a viable. These images came from a 1959 article in This Week Magazine from the Los Angeles Times.

A blast from the past for me, this macabre fanzine illustration from 1977 entitled “Tholian Web revisited”. Thirty years old, and I’m still pleased with it. Somebody stop me!

In 1979 Geoff Mandel and Doug Drexler bullshitted their way onto the Paramount backlot. I am both ashamed, and proud of myself. Aside from that, we were very well behaved. (Above) 26 year old Doug Drexler on the TMP planet Vulcan set in the Paramount tank. I’m standing next to the practical foot of the collosal Vulcan Master statue . In the picture it would be incorporated into a matte painting. I don’t know about you, but when I saw that sequence in the film, I couldn’t make head nor tail of what I was looking at. It was something that would get fixed in the directors cut many years later.
It was 1979, and Star Trek was back in production. The alpha fans of the 1970’s had a lot to do with making that happen. They kept a dead television show in the public eye in such a big way that the studio sat up and took notice… and without the Internet. We were practically a force of nature. No one could explain it. Geoff Mandel and I had become friends through our involvement with the Federation Trading Post, and went on to do numerous fanzines, blueprints and books together, including the first ever Trek magazine, The Star Trek Poster Book. As Kirk once said, “Fortune favors the bold.” And if they were making Star Trek again, there was no way they we weren’t getting a peek at it. How it all came about is a long story for a future entry.

A panorama I cobbled together of the surrounding area. To the left of the tank is Virginia City from “Bonanza”. Behind that a faux mountain range which covered the west side mill. On the far right is “Blue Sky” which still stands today. To the left of that is the water tower, and dividing line between Paramount and Desilu in the 60’s. TOS was filmed on stages right behind it. The so-called “tank” which the Vulcan set stands in, could be filled with water, and was later used in “Trek IV” for the BOP crash into San Francisco Bay. That’s Geoff taking his turn at boot.
Here is the ironic part - many years later when Daren Dochterman (childhood friend of the Federation Trading Post) was overseeing the refitted director’s cut of ST:TMP, he asked me to design statues for the revamped Vulcan sequence. Oh, you beautiful Universe!
One of the coolest things for me right now is coming across what Denise Okuda likes to call ”New-Old Star Trek”. You know… that shot of Nimoy in full Spock gear, leaning against an antediluvian Buick. http://drexfiles.wordpress.com/2009/01/26/vintage-nimoy/ A previously unseen image can generate a magical moment, where one can tangibly feel a warm breeze blow from 1967. In 1967, I was 14 years old, and could scan an entire magazine for the words “Star Trek” the same way George Reeves used to be able to tally a stack of Franklins by fanning his ear with ‘em.
Breathe deep an article I clipped from a 1967 TV Star Parade, forty two years ago. The photographs are amazing, and I’m willing to bet that for a brief moment you will feel that errant warm breeze blown from 1967. Neezee, this one’s for you…
TV Star Parade December 1967

Click to the next page. I’ve isolated some of the images … fascinating!

It’s got a monkey in it, how bad can it be?
In 1961 Jerry Lewis made a movie called The Errand Boy. It followed Jerry through the Paramount backlot getting into trouble. Most of it takes place up and down Star Trek Avenue and through the DS9 stages. It gives you a real feel of our neighborhood on Star Trek and worth watching just for that. There is one routine in this film that is a classic, it’s Jerry’s pantomime mocking studio executives. The orchestra is none other than Count Basey performing “Blues in Hoss’ Flat”. Check it out.
Recent Comments